I was skeptical when you said "iPhone 15 Pro doesn't hold up in post" (the log profile hasn't changed at all), but then you completely lost me when you said "Apple Log doesn't have a defined color gamut"...have you not read the whitepaper? It is clearly defined as Rec2020 primaries. Stopped watching after you showed you don't even know the color space you are working in. From the whitepaper: The color space describes how colors are represented. Apple Log uses RGB primaries and color space conversion matrices as defined in the ITU-R BT. 2020-2 specification. The white point is set to the D65 illuminant.
Well I Understand YA Logic but to be quite Honest Whether YA Set Rec.2020 or DWG or Arri Wide Gamut 4 or ACES AP1 As Input Color Space It Doesn't Make Difference Because They're ALL WIDE ENOUGH TO HANDLE Apple Log. Only ONE THING TO BE SURE is NOT USE Rec.709 As Input Color Space ❗️ What Do YA Think of It ❓
@@Hafiz-p4n that makes no sense, it’s not about width… There is a map of all colors humans can see, it’s called CIE 1931 color space. That is the horseshoe shaped chart the triangles are drawn on. That map uses x,y coordinates to describe specific colors. The gamuts are defined by the 3 x,y coordinates and their white point. A gamut of rec2020 means that a value of (1,0,0) (in rec2020) is (0.708,0.292) in CIE 1931 xy space Arri Wide Gamut 3 (1,0,0) means (0.6840, 0.3130) in CIE 1931 The same code value because it is mislabeled now points to a different color…by using the wrong gamut you distort the colors. That is why you need to know which gamut the file is in, because that gives you the key to convert its colors accurately.
What would be the point of calibrating your monitor, and then introduce a ~3% error in your color, even though it is common knowledge that Apple Log uses Rec2020?
Initially I was thinking "Isn't it supposed to be Rec.2020" but I kept myself quiet just in case I was wrong. In fact, now that I think about it, even with other iPhones, it was always recommended to use Rec2020.
Iphone 15 pro max and 16 pro max have no notable difference in Apple LOG other than 120FPS support this year. Can't digest the comparison you did in last, either that was a standard HEVC codec video or proxy file.
I love TOOLKIT !!!! I can do so much, I can push a lot and achieve the colours I want. It is easy, powerful and beautiful . My favourite - LOOK DNA, COLOR COMPRESSOR and SKIN JUCIE . JUST GOLD !!!!!!!!!!
Here's a fun thought experiment. If the tool was designed to not crack anything... Then which one is true... 1. the iPhone footage being robust enough to hold? Or 2.the qazis toolkit being robust enough to not crack anything? 🤔 I guess we'll never know 🤷😂
@@chrisharris_arizona HDR settings makes no difference, Apple Log ( a color profile ) is defined by two things, a transfer function and a color gamut (defined by the 3 values for R,G and B). The Apple Log whitepaper says all of this, and says that Apple Log uses Rec2020 as its color gamut... From the whitepaper: The color space describes how colors are represented. Apple Log uses RGB primaries and color space conversion matrices as defined in the ITU-R BT. 2020-2 specification. The white point is set to the D65 illuminant.
I was skeptical when you said "iPhone 15 Pro doesn't hold up in post" (the log profile hasn't changed at all), but then you completely lost me when you said "Apple Log doesn't have a defined color gamut"...have you not read the whitepaper? It is clearly defined as Rec2020 primaries. Stopped watching after you showed you don't even know the color space you are working in.
From the whitepaper:
The color space describes how colors are represented. Apple Log uses RGB
primaries and color space conversion matrices as defined in the ITU-R BT.
2020-2 specification. The white point is set to the D65 illuminant.
Well I Understand YA Logic but to be quite Honest Whether YA Set Rec.2020 or DWG or Arri Wide Gamut 4 or ACES AP1 As Input Color Space It Doesn't Make Difference Because They're ALL WIDE ENOUGH TO HANDLE Apple Log.
Only ONE THING TO BE SURE is NOT USE Rec.709 As Input Color Space ❗️
What Do YA Think of It ❓
@@Hafiz-p4n that makes no sense, it’s not about width…
There is a map of all colors humans can see, it’s called CIE 1931 color space. That is the horseshoe shaped chart the triangles are drawn on. That map uses x,y coordinates to describe specific colors. The gamuts are defined by the 3 x,y coordinates and their white point.
A gamut of rec2020 means that a value of (1,0,0) (in rec2020) is (0.708,0.292) in CIE 1931 xy space
Arri Wide Gamut 3 (1,0,0) means (0.6840, 0.3130) in CIE 1931
The same code value because it is mislabeled now points to a different color…by using the wrong gamut you distort the colors.
That is why you need to know which gamut the file is in, because that gives you the key to convert its colors accurately.
What would be the point of calibrating your monitor, and then introduce a ~3% error in your color, even though it is common knowledge that Apple Log uses Rec2020?
@MaximoJoshua i had the same reaction about the colour space and footage quality lol, glad I'm not the only one that realised.
Initially I was thinking "Isn't it supposed to be Rec.2020" but I kept myself quiet just in case I was wrong.
In fact, now that I think about it, even with other iPhones, it was always recommended to use Rec2020.
Iphone 15 pro max and 16 pro max have no notable difference in Apple LOG other than 120FPS support this year.
Can't digest the comparison you did in last, either that was a standard HEVC codec video or proxy file.
@@iamakkkshay I thought the same thing, the files are identical, the codec and color profile are identical…
Can you show us how to edit p3-d65 video shot on iPhone with Blackmagic app please? Not everyone can shoot log on iPhone
how about making a video for apple log to grade it and export it as HDR video for rec2020 this will be one of a kind in RUclips think it
I love TOOLKIT !!!! I can do so much, I can push a lot and achieve the colours I want. It is easy, powerful and beautiful . My favourite - LOOK DNA, COLOR COMPRESSOR and SKIN JUCIE . JUST GOLD !!!!!!!!!!
Ok...Damn... These tools are actually INSANE!!! My goodness!
Hi Waqasss, where did you buy the sweater?
Can you grade D-cinlike from Mini 3 Pro
Here's a fun thought experiment. If the tool was designed to not crack anything... Then which one is true...
1. the iPhone footage being robust enough to hold? Or
2.the qazis toolkit being robust enough to not crack anything? 🤔
I guess we'll never know 🤷😂
I have tried the demo version. your toolkit is very cool.
Thanks brother… thats great. 👍🏽
Are you saying that the log color space in the 16pro differs from the one in the 15pro? Did Apple mention it somewhere?
Me remembering that I don’t have the money or the skills to use this tool 🎉
Waqas your toolkit is f***ing powerful ❤
input color space isn't rec 2020? for iPhone log
yes it is
@@russo-filmmaking well...only if you leave HDR on right?
@@chrisharris_arizona HDR settings makes no difference, Apple Log ( a color profile ) is defined by two things, a transfer function and a color gamut (defined by the 3 values for R,G and B).
The Apple Log whitepaper says all of this, and says that Apple Log uses Rec2020 as its color gamut...
From the whitepaper:
The color space describes how colors are represented. Apple Log uses RGB
primaries and color space conversion matrices as defined in the ITU-R BT.
2020-2 specification. The white point is set to the D65 illuminant.
@@MaximoJoshua thank you
@@chrisharris_arizona no worries
did you ever do this to flat GoPro footage?
NICE
Would the footage quality be the same between the 16 pro and max?
Yes, exact same cameras and processing.
this video is impressive , that is if you dont have any idea about color grading ;)
I'm watching a color correction/grading clip on an uncalibrated monitor, and I have no idea what I'm doing here 🤣🤣🤣🤣
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19090 Waters Courts
iPhone 16 pro Max one Button more 😂
Perez Michael Harris Donna Martin Sarah
I Wanna Show This Video to Tony & Chelsea Baphomet Duo ❗️❗️❗️❗️❗️❗️❗️❗️😝👻👻👻🤪🤪🤪